Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | Mona | les baigneuses | kuver maja | Rosita Mauri | sjalvportratt i brun kavaj |
Related Artists:
Ivan Khrutsky
1810-1885 Russian Ivan Khrutsky Gallery was a Russian-Polish painter known by his still-lives and portraits. He was born Ivan Fomich Khrutsky into a family descended from Polish gentry in the village of Ula, Vitebsk Gubernia (currently Belarus). In 1827, Khrutsky came to St. Petersburg and in 1830 entered the Imperial Academy of Arts. His first known works are dated 1832. The paintings gradually gathered public and critical acclaim. Khrutsky also worked as an interior designer, and became a popular amongst the wealthy home owners. In 1836, Khrutsky was awarded the Major Silver medal of the Academy for his still-lifes. Khrutsky also executed nice genre pictures and portraits. Old Woman Knitting a Sock, brought him the Minor Gold medal of the Academy. In 1839 he was awarded the title of the Academician. After his father??s death in 1840 Khrutsky left St. Petersburg forever and settled in the family estate Zakharenichi (Zacharniczy), Polotsk region. This period was one of commissioned religious art, mostly from Lithuania. Besides religious paintings he also worked on portraits, such as I.I. Glazunov's, Joseph Semashko's, Mikolaj Malinowski's and others. He died in 1885.
Jean-Baptiste Pater
Jean-Baptiste Pater (December 29, 1695 - July 25, 1736) was a French rococo painter. Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Academie in 1728, presenting a large military work in the popular Watteau style - La Rejouissance des Soldats (Louvre).[1] Pater adopted the popular Fete galante subject matter, heavily imitating his teacher Watteau, indeed he directly copied some of his figures. Pater used a traditional Rococo pastel palette. His most characteristic difference in style from other artists of the time surrounded his use of shimmering lines. His most prominent customer was Frederick the Great, who sat for two portraits in the "Turquerie" style: LeSultan au Harem and Le Sultan au Jardin. One of Pater's most renowned works is Landscape with a Cart (Schloss Charlottenburg), which is considered to display a feathery application of paint that anticipates Francesco Guardi. The delicately constructed subject matter and figures subordination to the buildings represent a movement away from fete galante, however this development was cut short by Pater's death in 1736.
John brett,ARA
1830-1902